Allyson Shaw’s Ashes & Stones is a remarkable book, one I imagine I will return to over the years when I want to be reminded of how magic works in literary form.
It is a truly staggering example of how one might balance memory and dream and scholarship and imagination and empathy to create a multifaceted portrait that, without pretending at perfect accuracy…manages to bring long-lost women to enough of a semblance of life that it feels as though they are walking along the hills and the water and the old roads alongside their author and her readers.
Tomorrow is my book birthday. Ashes & Stones, my creative nonfiction book about women persecuted as witches in Scotland, was published three years ago.
I began writing and researching the book over eight years ago. When I started the work, few people were talking about the history of witch hunts in Scotland, even though #witchythings were riding the capitalist zeitgeist. The witchwave was in full swing, with #instagramwitch influencer culture booming.
Trad publishing is always slow. It comes for trends after they have peaked and are near consumer exhaustion. My book was picked up during the feeding frenzy for witch books.
The sites I mapped and uncovered—sometimes literally—are now well known to Scottish tour guides. Stories uncovered during the countless hours combing through tedious old privy council records and emailing archeologists and other experts are now repeated as if they have always been common knowledge. Social media has made this possible, and we live in a time where citing your sources no longer matters.
I have never had a baby, but writing a book feels like having a baby—except this one gestated for over five years. And then I handed the baby over to strangers to do with it what they will. So maybe it’s not the best analogy.
But let’s go with it. A three year old might be able play with other children, take turns, and understand sharing, but my book came into a world where this isn’t encouraged. I set her on her way into a selfish, antisocial world, to be judged by the money she could make for others rather than for what she was.
Sometimes I still have pangs of grief about that rather than feelings of joyful achievement. BUT she is three! With thousands of readers (tens of thousands, perhaps). She can now also run and jump—into the hands of other readers who have been waiting to find her.
🧁 Celebrate with me. Here are some ideas:
If you are really feeling generous and have read the book, why not leave a review on one of the big sites that collect that kind of thing?
Why not check it out from your library or purchase it? Both of these matter—I get paid when these things happen.
If your library doesn’t have Ashes & Stones, why not request it?
If you know someone who would like my book, tell them about it!
If you are in Scotland, visit one of the sites I mention in the book. Leave a non-material offering. There are too many things littering our sacred sites. Instead, leave a song, words of remembrance or a prayer. If you light a candle, take it with you when you leave.
Also—as the ribbon on top—consider how we consume media. Things are getting tough out there for creatives. I know many of you reading this are in the same boat. Our work is being stolen. Business models that once supported us now turn to influencers to make culture. Our work is disseminated in ways that don’t benefit us, and there is nothing we can do about it. For instance, did you know that authors are not paid (at least not trad published authors) when you read the book on Kindle Unlimited or listen the audio book on Audible or Spotify? Even buying a used copy—great for the environment—means the author sees none of the money changing hands.
“I enter the tomb on something like a wide skateboard, using the rope strung from the roof of the narrow, three metre-long passageway….”
First instalment of my exploration of a place that has haunted me for 18 years—the Tomb of the Eagles. Become a paid subscriber to my blog–now hosted on Ghost.io— to read this and other exclusive posts as well as join our online Outlier Hour of writing and conversation—THIS SATURDAY! https://allysonshaw.ghost.io/inside-the-hollow-hill/
In this two hour master class we will centre on facets of place writing informed by anti-colonial re-enchantment of land, place, and home.
28th of April, 2024. 7pm GMT £25, tickets via Eventbrite
I’ll share practical tips for forming or renewing a sense of place in your writing. Together we’ll examine our places, sharing discoveries and challenges as a group, exploring forces shaping our place-writing from gentrification to the Scottish Diaspora, and more. There will be prompts and inspiration for future work.
I bring decades of experience teaching writing to my online workshops. I’ve taught at the University of California and Colleges in the US, delivered community writing workshops as well as master classes for the Taibhsear Collective.
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Find out about past and upcoming workshops at my Workshops page.
The North American Edition of Ashes and Stones arrived today—published by Pegasus Books in the US on October 3rd. The stone on the cover is the Nicnevin stone in the village of Monzie. Named after the legendary woman burnt as a witch named Kate Nicnevin who also shares a name with Nicnevin, the mythic Scottish witch-goddess and the leader of the wild hunt in lore. According to Sir Walter Scott, she is the “Scottish Hecate.” The most notable fragments of her come to us from 17th century ‘flyting’ poems—word fights where she is mentioned satirically. Yet, in Monzie, magical women, holy wells, cliffs and neolithic menhirs are named after her. I write about this stone and mythic Nicnevin at length in a chapter in Ashes and Stones. It’s so exciting to see the wee stone on the spine of the book!
[IMAGE DESCRIPTION]: Hand holding a hardback book entitled Ashes and Stones. The book has a standing stone in a moor on it and the grey sky is full of ravens. The hand holds the book over a moor of blooming heather and the horizon on the book lines up with the horizon on the photo.]
Today, the day after the Blue Super Moon, Waterstones announced that Ashes and Stones is the Scottish Book of the Month for September, 2023. Is this not magic? I’m over the (blue, super) moon about this news. Grateful to have the support of Waterstones which will display the book prominently in all Scottish locations, and there will be promotions as well. It will help get the book to a whole new readership!
The North American edition of Ashes and Stones, published by Pegasus Books, out October 3rd, 2023.
I’m delighted that Pegasus Books will publish Ashes and Stones in North America. The hardback will be available on 3 October, 2023. Preorders are open now.
a moving reminder for us all to connect with what’s gone before
I’m so pleased to share the gorgeous cover design for Ashes and Stones by Natalie Chen. The illustrator is Iain MacArthur.
‘It’s summer. I stand where perhaps Ellen stood, in this ground thick with new thistle and long grass. She would have ken this coast in all weathers: in the summer when it was as gentle as a lake and in the winter, with the high winds and stinging salt spray.’
Ashes and Stones is a moving and personal journey, along rugged coasts and through remote villages and modern cities, in search of the traces of those accused of witchcraft in seventeenth-century Scotland. We visit modern memorials, roadside shrines and standing stones, and roam among forests and hedge mazes, folk lore and political fantasies. From fairy hills to forgotten caves, we explore a spellbound landscape.